Effects Introduction
The M350 comes with 15 legendary TC effects. They are all a result of the award winning TC effects heritage,our researchdevelopment department have been working double shifts to come up with these 15 super-tuned TC effects.

Dynamic Delay
The Dynamic Delay preset gives you the possibility to alter the delay output level actively depending on the dynamics of the input level. What that means is that you can have a low level delay when you’re passing a source through the devicea higher level of delay when you cut offsilence the source. Use it for instance to emphasize pauses in between phrases in a solo.

Triplets delay
Triplets are basic musical structures that have a great effect on our rhythmical perception, especially when played against something straight. The Triplets delay preset gives you a seriousversatile tool to rework your source material. Use it on e.g. guitar solos, horn soloseven percussive instruments.

Studio Delay
With a clearconcise reproduction of the original source material, the Studio Delay gives you a serious tool for studio work. It utilizes a subtle yet significant high cut with a relatively high crossover frequency that enables you to achieve a transparentprecise sound.

Soft Delay
If you’re looking for a clear yet soft reproduction of your original sound, you should try the Soft Delay preset. We’ve integrated a subtle yet significant high cut with a relatively high crossover frequency, which will give you a softsmooth delay. This type of delay is perfect for studio recordings,in fact you’ll discover that your tracks will sound very “studio like” when you use it.

PingPong Delay
A PingPong delay pans the delay repeats from left to right,back, while at the same time keeping the original position of the input. The PingPong Delay preset is naturally no exceptionit gives you a very wide-spread special effect that is crowd pleaser. Use it livein the studio when you want a dramaticunique sound.

Slapback Delay
The Slapback Delay preset is a very short delay that only counts one, two,maybe even three repeats. Often this type of effect is used as a “doubling effect” in order to make the original source content more densesolid. But you can also use the Slapback Delay on funky guitar riffs for instance.

Smooth Phaser
This phaser uses twelve all-pass filters at the same time, which gives you a well-adaptedvery smooth sound. Use this type of phaser when you want the typical phasing characteristics combined with a more elegantsubtle approach. In other words this is an effect that gives you the typical phaser qualities with a sophisticateddelicate twist.

Vintage Phaser
The Vintage Phaser uses four different all-pass filters that give you a directto-the-point sound. Depending on how the filtered signal is mixed with the dry signal, you’ll get a strongtypical "phasing sound" that is extremely versatile. Use it with equal success both on the stagein the studio.

Lush Chorus
If you’re the type of person that enjoy effects that will take your music one step up, then the Lush Chorus preset will be one of your favorites. It gives you a broadermore complex sound that is a perfect match for the funkyjazzy music styles that often have lots of solos.

Soft Chorus
Sometimes what you need is a natural, stablewell-tempered sound. The Soft Chorus preset is a basic chorus that you can use with eloquence on laid back styles of music like ballads, chill outmoody jazz. It will give you a sound that is true to the original source materialyou’ll be surprised how often it will add that extra something to your music.

Inst. Flanger
TC flangers have been known for their perfect relation between speeddepth,the Inst. Flanger preset is certainly no exception. This flanger gives you a classic “flange sound” with a widebroad spread-effect. Use the Inst. Flanger when you want a large chorus-like sound that has all the typicalbeneficial characteristics of a genuine flanger.

Comp
Compression can be pretty trickymore often than not, you have probably been subject to “over-compressing”. With the Comp preset you’re on the faststeadfast track to professionaleasy compression. Use it for most sources where you want the benefits from a professional compression that won’t disrupt your original source.

Hard Comp
The Hard Comp preset is tweaked to deliver a hard yet “nice” compression to your source. What that means is that although the preset will compress your source relatively hard, it won’t disruptover-compress your source. Use this type of compression on e.g. drumspercussive instrumentsachieve a signature sound.

De-Esser
The De-Esser preset removes all unwanted s’s that some microphonessingers have so much trouble with. Use it predominately on vocal material to clean up the soundmake the source more homogenous.

Tremolo
The Tremolo preset uses a wave shape that is triangularthat gives you an easily recognizable tremolo sound. This type of effect is a true crowd pleaserit will work on many sources, although it is probably most known from 007 style guitar solos. It is a softappeasing tremolo that is quite useful for slowermore melancholic types of music.

Reverb Introduction
Inside the M350 you’ll find 15 shining world-class TC reverbs. Each of the reverb types is a result of extensive fine-tuningresearch done at the TC reverb laboratories. Although the M350 is a non-expensive no-nonsense dual engine processor, you’ll find that the reverbs are some of the bestmost versatile reverbs on the market.

TC Classic Hall
This reverb emulates a large hall with a broadwarm reverb,a relatively long decay time. It preserves the natural characteristics of the original source, which gives you an incomparableauthentic large sound. Very often vocal source material call for the TC Classic Hall preset, but you can use it for a wide variety of studiolive applications.

Hall Acoustic
The Hall Acoustic preset is a broad yet slightly diffuse reverb. It simulates a large environment but adds a distinctive acoustic flavor to the source material. You can use this reverb with great effect on drumsother percussive material, but it is also be used when you want to create an unbiased yet genuine ambience.

Vocal Reverb
This preset will matchrefine vocal sources that need that extra something. The Vocal Reverb preset gives you a softmellow tone that is identical to the reflections you get from medium sized rooms with wooden surfaces. Use it to obtain a personal yet subtleagile sound on your vocals.

Live Vocal
The Live Vocal reverb emulates a large roomvenue that has many wooden surfaces. The reflections from wooden surfaces give you a softsmooth reverb type that will suit vocal material perfectly. If you’re seeking a large reverb with spongy reflections to use livein the studio, the Live Vocal preset is the answer.

Drum Ambience
Going back in time to the 80’s the Drum Ambience preset simulates a small ambient room with very short reflections. This gives you a perfect reverb for all types of drumspercussive instruments that you would like to give that classic sound of the past. It can be used with great effect on studio recordingseven when you play live.

Drum Room
The Drum Room reverb will flavor your drum-percussive source material with great elegance. The preset simulates a medium sized room that gives you a relatively long yet natural sounding reverb. It preserves the full spectrum of the source while giving it an unmistakably quality of brilliancepresence.

Cathedral
Emulating a large location with harduneven surfaces, the Cathedral preset gives you a broadunevenly diffused reverb. This reverb type will opencolor your source with the natural ambience which is so typical of cathedrals. If you’re playing live this preset will be a crowd pleaser, but it is equally suited for studio use where a distinctive effect is called for.

Living Room
A smallwell-furnished room with an intimate ambience is what the Living Room reverb simulates. Living rooms will absorb many reflections due to the soft materials in it,that gives you a reverb type with few reflections that are sparingly sustained. Use it to get an intimateto the point atmosphere.

Gold Plate
The Gold Plate reverb is a trip back into the past. In the old days before digital signal processing was invented, people used large metallic plates to create reverbs. This preset emulates that unique sound which is diffuse, brightfilled with nostalgia. The Gold Plate reverb can be used with superior excellence on percussive instruments.

Silver Plate
Going back in time the Silver Plate emulates the large metallic plates which were used to create reverbs before digital signal processing was commonplace. This preset gives you a lightrelatively diffuse reverb which will work splendidly on percussive instruments that need a twist of the past.

Spring Vintage
Back in the old days they would use large springs to generate a reverb,in fact this was used a lot in the old vintage guitar amps. The spring Vintage preset simulates this type of reverbit will give you a distinctive vintage sound that is true to the original.

Live Stage
If you’re playing live you might want a reverb that can cut through all the background noise which is so typical at live gigs. The Live Stage preset gives you a grainybright reverb that will work equally well on vocalsinstruments that need to be distinctto the point.

Ambience
This reverb is tailor-made for dry source material. It clearly defines a roomfocuses on the early reflections which will add ambiencewarmth onto many types of sources, e.g. dry drum samples.

Damped Room
The Damped Room reverb can be used with great results on source material which needs to be very lightly reverberated. The preset simulates a small studiovocal box that is completely padded with soft-absorbing material. It gives you a very tightto the point sound.

Nearfield
If you want a reverb that is tightwith a predomination of early reflections, the Nearfield reverb will be your preferred choice. It emulates the small amount of natural reverb that occurs in e.g. a studio control room. Use this reverb type to obtain a tight, brightsmack-in-the-face sound.